Triangle dangling earrings

$110.10

5 × 2 cm
fine silver

This product is Made to Order

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Description:

Made of fine silver 999.
Fantastic to add fun to any daily wear or an evening out.
The fine silver is finished to ressemble the grainy texture of sand.
The glass beads are handmade by artisan in Ghana and melted gently to snug around the silver.

Dimensions 5 × 2 cm
Colour

black beads, blue beads, green beads, red beads

Care Instructions:

To clean your silver simply wash with warm water, not hot.
Lemon juice works very well for a new shine. Rinse clean with warm water before leaving to air dry and buffing to shine. 
Using a toothbrush to clean crevices.

Story:

This piece is part of the glass collection. In this collection I play with glass beads traditionally handmade by artisans in Ghana.
I am fascinated by this material – Glass – that is made only from sand and heat. It can change shape again and again, indefinitely, with a new purpose each time. So I texture the fine silver – which is also recycled – to ressemble the grainy texture of sand. I also explore traditional jewellery design from nomadic cultures in northern Africa

Deliveries

Free Delivery in Mainland UK, UK Highlands and Islands

Cost Time
Mainland UK $0.00 5 day(s)
UK Highlands and Islands $0.00 5 day(s)
Western Europe $6.48 5 day(s)
Rest of Europe $6.48 7 day(s)
USA and Canada $10.36 7 day(s)
Far East / Australia-NZ $10.36 7 day(s)
Worldwide $10.36 7 day(s)
Returns

Artist Return Policy : This item cannot be returned.

Under the consumer contract regulations, you have the right to cancel your order up to 14 days from the day you receive your goods.
You could notify us of your wish to cancel the order by emailing us, and then you have further 14 days from the date you notify to return the goods.

Read more about our Return and Refund Policy.
Should you choose to return or exchange your order you will need to deliver the item(s) to the UK, where this seller is based.

M.K Nsika was born in Congo and now lives and works in London.
M.Kala is her artist name under which she presents minimalist yet bold sculptural pieces.
Each of her pieces is a conversation piece with an ancient Kongo system of belief in which life and death is a never-ending cycle : the Dikenga.
Her African background informs her practice: she thinks carefully about her material, its context in history and the environment. With each collection, she plans to select one particular material that used to carry great value in pre-colonial Africa.

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