Large shallow dish with gills

$582.88

34 × 33 × 7.5 cm
2.550 kg
High-fired stoneware with a satin matte white glaze

1 in stock

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Description:

Large dish with gills, the piece is formed by pressmoulding the basic shape adding pinched gills. It is glazed with a satin matte white glaze and fired to 1260C in an electric kiln.

The piece can be displayed with flat side up, or with gills on full display.

Weight 2.550 kg
Dimensions 34 × 33 × 7.5 cm
Care Instructions:

Wash as ceramic. Not dishwasher safe.

Story:

The series of “gilled” forms started by looking at organic forms in nature, specifically hidden or less visible forms. This might be something seen under the microscope or in the undergrowth. Gill-like growths are everywhere and they are beautiful! I wanted to capture this in my art. For this piece the gills have a great sense of movement resulting from a more free and rhythmic making process resulting in a kind of ripple across the surface like patterns in the sand.

Deliveries
Cost Time
Mainland UK $12.95 14 day(s)
UK Highlands and Islands $12.95 14 day(s)
Western Europe $38.86 14 day(s)
Rest of Europe $38.86 14 day(s)
USA and Canada $38.86 14 day(s)
Far East / Australia-NZ $38.86 14 day(s)
Worldwide $38.86 14 day(s)
Returns

Artist Return Policy : This item can be returned.

Under the consumer contract regulations, you have the right to cancel your order up to 14 days from the day you receive your goods.
You could notify us of your wish to cancel the order by emailing us, and then you have further 14 days from the date you notify to return the goods.

Read more about our Return and Refund Policy.
Should you choose to return or exchange your order you will need to deliver the item(s) to the UK, where this seller is based.

A ceramic designer and maker working from her studio in Sheffield, Sarah creates sensuous, tactile and intriguing hand-held sculptures, table top centrepieces and wall-mounted work inspired by hidden forms in nature. Each piece is individually handmade using techniques of slabbing, press-moulding and pinching. Through the meditative creation of the repeated “gills” which encompass the forms, the clay is pushed to its limits; the making process imitates the rhythm and pattern of growth, demonstrating control of the material, whilst also leaving the trace of movement, like imprints in the sand.

The structure is pared back, the glazing restrained, revealing form. Light playing across the forms adds to the sense of movement. Suggestive of bone, coral or the seaside, the work fascinates and inspires, evoking memories to draw the viewer in to touch, to wonder, to connect.

Sarah works in series; however, as in nature, each piece is individually unique.

Work is high-fired to stoneware in an electric kiln.

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