This is an unusual circular glass platter. It has a square black base and a flat polished upper surface which reveals a circle of 23.5ct gold fired within the glass in the centre. It makes a dramatic centrepiece.
I cast the black base and the black and gold circle first, then refire them with clear glass to cast the entire piece. The texture on the underside is a great contrast with the polished rim and top surface.
24 × 6 cm
Hand wash in warm water.
This series of platters are a development from my cast bowls, they are more complicated to make and, as with all my work, each is a one off.
The textures in my glass are usually made by casting from fabric into plaster to make my moulds, methods I’ve developed over 20 years.
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Artist Return Policy :
This item can be returned.
Under the consumer contract regulations, you have the right to cancel your order up to 14 days from the day you receive your goods.
You could notify us of your wish to cancel the order by emailing us, and then you have further 14 days from the date you notify to return the goods.
Since graduating over 20 years ago I’ve specialised in creating cast sculptures and bowls. I show internationally as well as prestigious exhibitions such as the British Glass Biennale.
My cast glass sculpture series ‘A Dialogue at the Threshold is now on the Handmade Online Shop. The viewer is drawn in to my dense glass boxes by the allure of 23.5ct gold. Some are architectural, others are visually soft, appearing to be encased by fabric. There is a fluidity between the inside and the outside. The interplay between the interior and the exterior articulates a dialogue at the threshold.
The textured glass bowls are one of my favourite ways of working, another method I have developed and evolved. The surface is created using highly textured fabrics. My most recent bowls feature small handmade elements which I cast and fire and then incorporate them in a second firing to make the abstract flower and berry bowls. All the pieces are unique – the plaster mould is broken away – then the bowl is fired again to a lower temperature to create a bowl form. Finally the edges are highly polished which highlights the colour and contrasts with the opacity of the textured glass.
The ‘Rocky sculptures’ explore the beauty of stone bridges, dry stone walling and rocky outcrops. The compositions are evocative of the landscape and suggest rocks and stones placed harmoniously together, contrasting defined edges with the softness of adjacent vegetation. The blocks of colour echo the surrounding landscape, water and sky. They have a sense of place and atmosphere.
I am in the Craft Council Directory and I belong to the Society of Designer Craftsmen and the Sussex Guild.
My workshop is in West Sussex and is in a converted stable, a wonderful place to make and create.
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